On the sidelines of history,
Toronto cosmopolitans feel especially free to judge political performances in
neighboring jurisdictions. Andrew Coyne of the National Post finds fault not only in the content, format, and
casting of this week’ leaders'
debates in Quebec. He doesn’t think
journalists and people generally know how to watch them.
Politics, according to Coyne,
is theatre and always has been.
He likes Shakespeare’s plays
and regrets that modern elections are more akin to film and video games. He
notes the rising importance of debates but judges them as not much better than
Hollywood blockbusters. We get little out of them.
‘The
point of these (debates) is not to find out who 'won,' any more than it is when
we go to see a play. The media’s bizarre fixation with this, as often expressed
in those sorrowful morning-after reports of 'no knockout blows' as by actual
declarations of victory, says a good deal more about the media than anything
else: the preference for binary (up-down, in-out) results over qualitative
judgments, the retreat from the real (who would govern best) into the meta
(who’s winning the campaign), the imposition of narrative (turning points,
deciding moments) onto the ordinary chaos of events.
“We
don’t go to Macbeth to find out if he defeats Macduff. We are there to watch a
tragic hero’s inevitable fall, to reflect on how human virtues are subverted by
human frailties, and so on.”
A 400-year-old play,
of course, doesn’t survive as a murder mystery. You can concentrate on the
minutia of Shakespeare’s genius and not worry about who’s winning or losing,
who will live or die. A debate in an election, however, isn’t theatre—it’s a
real-time confrontation, a piece of reality that will shape a larger reality.
Better political reporting of
a highly theatrical political event shouldn’t start on the assumption that it’s
merely two-bit theatre. A literate critic and a literate audience can’t skip
lightly over why the debate is taking place—and why the debaters act the way
they do.
Elections do provide yet
another opportunity to watch extroverts express themselves. Debates do offer
further material to enrich our hunches about their minds and inner souls. So,
more debates, as Coyne suggests, could help us know—or at least better talk
about the candidates.
Lovely.
But, first, let’s bear down
on the real drama. They’re only together in that television studio because each
wants to win the power to run Quebec. Is she winning? Is he catching up? Listen to
what he has to say to stay competitive. Listen to what none will say for fear
of losing. Listen to what they all seem to think we think, and need to hear to
give them our votes.
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